Nature

From choosing a subject to deciding on a print, I want a continuous relationship with an image. Large format is making the practical gaps in that ambition very clear.

A film in development about Muir and Roosevelt needs room for invention—and a precise account of where that invention begins.

15 photographs. River channels, motel facades, parked aircraft, and the spaces beside the road. A growing selection of photographs of the built landscape.

11 photographs. Lakes, mountains, and the roads between them. This selection begins in the Eastern Sierra, with autumn color and fresh snow from the Mammoth trip.

6 photographs. River channels, bridges, alleys, and building facades. Photographs of the city and the ways light moves through it.

4 photographs. Photographs collected along the way: a Yellowstone landscape, a Montana night sky, winter roadsides, and a companion in the snow. Film and digital pictures from the travel archive.