Landscapes

From choosing a subject to deciding on a print, I want a continuous relationship with an image. Large format is making the practical gaps in that ambition very clear.

Two holders, a missing loupe, and autumn snow in Mammoth. The useful lessons were in the parts of the process I hadn't prepared.

Proof scans were enough to find possibilities, but not always enough to explore them. My October 2025 notes describe the gap between a promising negative and a finished print.

15 photographs. River channels, motel facades, parked aircraft, and the spaces beside the road. A growing selection of photographs of the built landscape.

6 photographs. River channels, bridges, alleys, and building facades. Photographs of the city and the ways light moves through it.

8 photographs. Aspen trunks, moving water, fallen leaves, and a bird on a wire. Close observations from the mountains and the everyday.

4 photographs. Photographs collected along the way: a Yellowstone landscape, a Montana night sky, winter roadsides, and a companion in the snow. Film and digital pictures from the travel archive.